Halloween is the perfect time of year to watch a horror movie. And if you can find a little gay subtext in your fright flick, so much the better. Horror film - Wikipedia. A famous scene from the 1. German horror film Nosferatu. A horror film is a movie that seeks to elicit a physiological reaction, such as an elevated heartbeat, through the use of fear and shocking one’s audiences. Inspired by literature from authors like Edgar Allan Poe, Bram Stoker, and Mary Shelley, horror films have existed for more than a century. The macabre and the supernatural are frequent themes. Horror may also overlap with the fantasy, supernatural fiction and thriller genres. Horror films often deal with viewers' nightmares, fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage into the everyday world. Prevalent elements include ghosts, extraterrestrials, vampires, werewolves, demons, satanism, gore, torture, vicious animals, evil witches, monsters, zombies, cannibals, psychopaths, natural or man- made disasters, and serial killers. The Cave of the Demons, literally . In 1. 90. 8, Selig Polyscope Company produced Dr. Paul Wegener's The Student of Prague (1. The Golem trilogy (1. Robert Wiene's The Cabinet of Dr. Caligari (1. 92. 0), Arthur Robison's Warning Shadows (1. Paul Leni's Waxworks (1. The first vampire- themed movie, Nosferatu (1. Bram Stoker's Dracula. Other European countries also, contributed to the genre during this period. A horror film is a movie that seeks to elicit a physiological reaction, such as an elevated heartbeat, through the use of fear and shocking one’s audiences.Some notable examples include The Hunchback of Notre Dame (1. The Phantom of the Opera (1. The Cat and the Canary (1. The Unknown (1. 92. The Man Who Laughs (1. Many of these early films were considered dark melodramas because of their stock characters and emotion- heavy plots that focused on romance, violence, suspense, and sentimentality. Directors known for relying on macabre in their films during the 1. Maurice Tourneur, Rex Ingram, and Tod Browning. Ingram's The Magician (1. Tod Browning's Dracula (1. James Whale's Frankenstein (1. The Old Dark House (1. Some of these films blended science fiction with Gothic horror, such as Whale's The Invisible Man (1. German films. Frankenstein was the first in a series of remakes which lasted for years. The Mummy (1. 93. Egyptology as a theme; Make- up artist. Jack Pierce was responsible for the iconic image of the monster, and others in the series. Universal's horror cycle continued into the 1. B- movies including The Wolf Man (1. The once controversial Freaks (1. Hyde (Paramount, 1. Jekyll's transformation before the camera. Both appeared in three of Val Lewton's atmospheric B- movies for RKO in the mid- 1. The Body Snatcher (1. Two subgenres began to emerge: the Doomsday film and the Demonic film. Japan's experience with Hiroshima and Nagasaki bore the well- known Godzilla (1. Hollywood directors and producers found ample opportunity for audience exploitation through gimmicks. House of Wax (1. 95. D film to draw audiences, while The Tingler used electric seat buzzers in 1. Filmmakers continued to merge elements of science fiction and horror over the following decades. The film conveyed the fears of living in the Atomic Age and the terror of social alienation. During the later 1. Great Britain emerged, as a major producer of . The Hammer company focused on the genre for the first time, enjoying huge international success from films involving classic horror characters which were shown in color for the first time. Drawing on Universal's precedent, many films produced were Frankenstein and Dracula remakes, both followed by many sequels. Other British companies contributed to a boom in horror film production in the UK during the 1. Peeping Tom (1. 96. France continued the mad scientist theme, while Italian horror films became internationally notable. American International Pictures (AIP) made a series of Edgar Allan Poe–themed films. Films in the era used the supernatural premise to express the horror of the demonic. The Innocents (1. Henry James novel The Turn of the Screw. Meanwhile, ghosts were a dominant theme in Japanese horror, in such films as Kwaidan, Onibaba (both 1. Kuroneko (1. 96. 8). An influential American horror film of this period was George A. Romero's Night of the Living Dead (1. Produced and directed by Romero on a budget of $1. An Armageddon film about zombies, it began to combine psychological insights with gore. Distancing the era from earlier gothic trends, late 6. Low- budget splatter films from the likes of Herschell Gordon Lewis also gained prominence. The Exorcist (1. 97. Robert Wise's film Audrey Rose (1. Alice, Sweet Alice (1. Catholic- themed horror slasher about a little girl's murder and her sister being the prime suspect. Another popular occult horror movie was The Omen (1. Antichrist. Invincible to human intervention, Demons became villains in many horror films with a postmodern style and a dystopian worldview. Another example is The Sentinel (1. Hell. The film includes seasoned actors such as Ava Gardner, Burgess Meredith, and Eli Wallach and such future stars as Christopher Walken and Jeff Goldblum. During the 1. 97. Italian filmmakers Mario Bava, Riccardo Freda, Antonio Margheriti, and Dario Argento developed giallo horror films that became classics and influenced the genre in other countries. Representative films include: Black Sunday, Blood and Black Lace, Castle of Blood, Twitch of the Death Nerve, The Bird with the Crystal Plumage, Deep Red, and Suspiria. The ideas of the 1. Wes Craven's The Hills Have Eyes (1. Tobe Hooper's The Texas Chain Saw Massacre (1. Romero satirized the consumer society in his zombie sequel, Dawn of the Dead (1. Canadian director David Cronenberg featured the . Next, was his third published novel, The Shining (1. Stanley Kubrick, which was a sleeper at the box office. This psychological horror film has a variety of themes; . This film is an example of how Hollywood's idea of horror started to evolve. Murder and violence were no longer the main themes of horror films. During the 7. 0s and 8. Another classic Hollywood horror film is Tobe Hooper's Poltergeist. Poltergeist is ranked the 2. Chicago Film Critics Association. Both films, The Shining and Poltergeist, involve horror being based on real- estate values. The evil and horror throughout the films come from where the movies are taking place. In The Shining, Danny Torrance (the child in the film) can sense supernatural forces. This is because the hotel where the film takes place was once a burial ground for a Native American Indian tribe. This is very similar to the film, Poltergeist. Carol Anne, who is the five- year- old child, can sense the supernatural spirits that have taken over her house. These bizarre spirits come from the graveyard, which the house is built on. Both films are an example of the evolution of Hollywood horror films. However, the film is now known as one of Hollywood's most classic horror films. Carrie became the 9th highest- grossing film of 1. King himself did not like The Shining, because it wasn't very faithful to the 1. A cycle of slasher films was made during the 1. John Carpenter created Halloween (1. Sean Cunningham made Friday the 1. Wes Craven directed A Nightmare on Elm Street (1. Clive Barker made Hellraiser (1. This subgenre would be mined by dozens of increasingly violent movies throughout the subsequent decades, and Halloween became a successful independent film. Another notable '7. Bob Clark's Black Christmas (1. The boom in slasher films provided enough material for numerous comedic spoofs of the genre including Saturday the 1. Student Bodies (1. National Lampoon's Class Reunion (1. Hysterical (1. 98. Steven Spielberg's Jaws (1. Orca (1. 97. 7) and Up from the Depths (1. Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big- budget Hollywood film. John Carpenter's 1. The Thing was also a mix of horror and sci- fi, but it was neither a box- office nor critical hit, but soon became a cult classic. However, nearly 2. The 1. 98. 0s saw a wave of gory . A significant example is Sam Raimi's Evil Dead movies, which were low- budget gorefests but had a very original plotline which was later praised by critics. Other horror film examples include cult vampire classics such as Fright Night (1. The Lost Boys (1. Near Dark (also 1. In 1. 98. 4, Joe Dante's seminal monster comedy Gremlins became a box office hit with critics and audiences, and inspired a trend of . The slasher films A Nightmare on Elm Street, Friday the 1. Halloween and Child's Play all saw sequels in the 1. Wes Craven's New Nightmare (1. Silence of the Lambs (1. New Nightmare, with In the Mouth of Madness (1. The Dark Half (1. Candyman (1. 99. 2), were part of a mini- movement of self- reflexive or metafictional horror films. Each film touched upon the relationship between fictional horror and real- world horror. Candyman, for example, examined the link between an invented urban legend and the realistic horror of the racism that produced its villain. In the Mouth of Madness took a more literal approach, as its protagonist actually hopped from the real world into a novel created by the madman he was hired to track down. This reflective style became more overt and ironic with the arrival of Scream (1. In Interview with the Vampire (1. The horror movie soon continued its search for new and effective frights. In 1. 98. 5's novel The Vampire Lestat by author Anne Rice (who penned Interview..'s screenplay and the 1. Lestat inspired and nurtured the Grand Guignol style and theatre. Two main problems pushed horror backward during this period: firstly, the horror genre wore itself out with the proliferation of nonstop slasher and gore films in the eighties. Secondly, the adolescent audience which feasted on the blood and morbidity of the previous decade grew up, and the replacement audience for films of an imaginative nature were being captured instead by the explosion of science- fiction and fantasy films, courtesy of the special effects possibilities with advances made in computer- generated imagery. Peter Jackson's Braindead (1. Dead Alive in the U. Free download center: Funny videos, funny movies, funny video clips.
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